This is one
of those albums I’m happy not to have to give a note… As most of you may know,
Nightwish are a Finnish Symphonic Metal band from Kitee. Driven by Tuomas
Holopainen’s creative mind, Nightwish have been the spearhead of the Symphonic
Metal scene, as well as a flagship for Finnish art. However, a few years ago
they have parted ways with their iconic lead singer Tarja Turunen, leaving them
with a new record and no voice for it. That led to Dark Passion Play, an album
labeled as “pop metal”. There were many problems with that particular CD but
the main one was the new singer, Anette Olzon. She was singing out of her range
(the tracks were made with Tarja’s voice in mind) which could only lead to a
grand disaster…
But this
time, with Imaginaerum, that “excuse” was no longer valid. And it is not
needed.
The album,
as a piece of art, is absolutely flawless: Big arrangements with powerful
guitars and voice. Everything is
blended together in absolute perfection.
However,
there is a small problem: the album is happy.
To address
this problem (and minimize its effect) one must first acknowledge that Nightwish
are as trve as it gets. Their music
is the perfect mirror for Tuomas’ life. With that said, Tuomas has said himself
that the last few months were the happiest of his life, and as such we all can
hear that in his music.
Does that
make it easier for me to listen to
Imaginaerum? Maybe… I’m happy for the guy. I hate and reject depression with
the force of a thousand suns, and to see someone leave its mire-like claws and
be able to tell the tale in such a big way is something that I profoundly admire.
I like to focus my mind on that while listening to this album. That way I’m
able to endure all that… happiness.
My highlights:
the pre-chorus of “Ghost River” and the
first half of “Scaretale”. If the whole album was like that this would be one
of my favorite albums.
Note:
credit must be given to Anette. If I had any heroes or idols, she would be one
of them. As she was passing through hell, a lot of people (loudly) expressed
their hate for her and her voice and that almost led to the end of Nightwish.
However, she persevered. She kept being herself (silly un-Metal stage behavior included) and, most importantly, delivered a
beast of a performance. Anette, I hail thee.
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